• Murder orient express branagh

    Murder on the Orient Express

    Kenneth Branagh keeps Agatha Christie's detective tale on the right track as both director and lead amidst a cast bristling with star power

  • Best Review

    Best (George Best: All By Himself)

    Though arguably too linear in scope, the latest chronicle of our greatest footballing talent's tragic journey is nonetheless elegantly and fearlessly told

  • La La Land

    La La Land

    Despite its artistic virtues, the limp narrative of Damien Chazelle's modern musical just won't leave audiences as jazzed as they were with Whiplash

  • Silence

    Silence

    Liam Neeson is the white whale of Scorsese's monumental 26-year passion project, which caps a career-long study of spirituality on the big screen

  • Two Angry Men

    Two Angry Men

    Toto Ellis leaves us longing for a feature length in his debut short outlining the theatrical censorship his father and Sam Thompson faced in Belfast 60 years ago

  • Hubert Butler

    Hubert Butler: Witness to the Future

    Writer, humanitarian and market gardener, 'Ireland's Orwell' is given due recognition for his years-ahead endeavors in this detailed documentary

  • Killer of Sheep

    Killer of Sheep

    With its truthful depiction of racial issues in 1970s America, Charles Burnett's long-lost indie trailblazer is the perfect primer for BFI Black Star

  • 400 Blows Main

    The 400 Blows

    François Truffaut’s pioneering French New Wave classic signals an encouraging start to a season of films to see before you're 30

  • Vintage Cinema Bus

    Vintage Cinema Club

    Michael McAlinden takes a bus back to film's golden age for a special showing of John Ford's The Quiet Man

  • The Revenant

    The Revenant

    Leonardo DiCaprio and the makers of Birdman combine for the visceral, awe-inspiring culmination of their cinematic careers

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