Tim McGarry

One of Northern Ireland's top comedians has advice for those wishing to break into comedy

Meeting Tim McGarry outside the BBC's Broadcasting House, I suddenly understood what life must be like for Ronnie Corbett. Standing tall at six foot four, with legs like stilts, Tim appeared like something out of a Roald Dahl book - a big friendly giant smiling from ear to ear. He lit up a tiny cigar - as if smoking a toothpick - and shook my hand before leading me to the bar. I had to quicken my step to keep up.
Recognised by all and sundry as the perpetually ill-fated Da from Give my Head Peace, Tim McGarry is as much a feature of the Northern Irish landscape as soda bread and riots. He may not have Patrick Keilty's following, or Colin Murphy's car, but you get the feeling that he's more than happy with his lot.Tim McGarry, reproduced by kind permission of BBC NI
With a career that spans radio, television and stand-up, McGarry has written his way to Royal Television Society and Sony awards as part of the Hole In The Wall Gang. But it's Northern Ireland's longest running sitcom of which he's most proud.
‘In twenty years from now - when I'm old and retired - people will remember Give my Head Peace,’ he says. ‘There's a real affection towards it from the public. There's some that could be better, but we've done seventy episodes, which is a hell of a lot.’
Currently hosting Radio Ulster's The Blame Game, ‘the easiest job in comedy,’ McGarry & Co have a new apolitical sketch show called Dry Your Eyes in the can and are putting the finishing touches to their first feature film script, ‘ a story about eleven working-class blokes from Belfast who end up in Vienna.’ It sounds fantastic, and it has nothing to do with the Troubles. The Hole In The Wall Gang have moved on.
With Belfast having played host to the likes of Stewart Lee and Harry Hill as part of the Belfast Festival, I wanted to know what advice Tim McGarry might have for Northern Ireland's own aspiring comedians.
‘The only way to learn your craft is to get out there. There's no point writing your jokes at home and putting them in the drawer, you've got to perform them’ he explained. ‘That way, you learn very quickly what works and what doesn't work. Then you can gauge if your writing is too wordy or windy, what went wrong with a particular punch line, why did the parts that worked work?
‘I think the scene is improving. The Empire Comedy Club is undoubtedly the best place to learn. It's a bear pit, but if you're serious about comedy, you need to go there and see how stand-ups perform; and the BBC also has a comedy unit trying to find new talent, so that's another outlet. It's a hard business, but there's a need for a new generation to come up. Start young and get going.’
By Lee Henry