Hear My Voice: film inspired by Colin Davidson exhibition 'offers a tribute to the human spirit'
Brendan J Byrne manages to further enrich the moving source material of Silent Testimony while extending the experience for those unable to see its portraits in person
Murder on the Orient Express
Kenneth Branagh keeps Agatha Christie's detective tale on the right track as both director and lead amidst a cast bristling with star power
Best (George Best: All By Himself)
Though arguably too linear in scope, the latest chronicle of our greatest footballing talent's tragic journey is nonetheless elegantly and fearlessly told
The Fits
This adolescent dance drama eschews coming-of-age tropes in favour of a more unorthodox yet fascinating slow burn
La La Land
Despite its artistic virtues, the limp narrative of Damien Chazelle's modern musical just won't leave audiences as jazzed as they were with Whiplash
Silence
Liam Neeson is the white whale of Scorsese's monumental 26-year passion project, which caps a career-long study of spirituality on the big screen
Two Angry Men
Toto Ellis leaves us longing for a feature length in his debut short outlining the theatrical censorship his father and Sam Thompson faced in Belfast 60 years ago
Hubert Butler: Witness to the Future
Writer, humanitarian and market gardener, 'Ireland's Orwell' is given due recognition for his years-ahead endeavors in this detailed documentary
Killer of Sheep
With its truthful depiction of racial issues in 1970s America, Charles Burnett's long-lost indie trailblazer is the perfect primer for BFI Black Star
Anthropoid
Jamie Dornan and Cillian Murphy excel as Czech army agents in a tense and compelling account of one of the Second World War's less heralded moments
The 400 Blows
François Truffaut’s pioneering French New Wave classic signals an encouraging start to a season of films to see before you're 30
Vintage Cinema Club
Michael McAlinden takes a bus back to film's golden age for a special showing of John Ford's The Quiet Man
The Revenant
Leonardo DiCaprio and the makers of Birdman combine for the visceral, awe-inspiring culmination of their cinematic careers
Pan
Despite an occasionally turgid narrative, Neverland's potential to thrill remains undeniable in Cinemagic's film festival opener
Miss Julie
Fermanagh's Castle Coole stands tall in Colin Farrell's simmering Victorian drama, despite the stage-to-film adaptation's big screen shortcomings
13 Minutes
David Holmes reunites with Oliver Hirschbiegel as the Downfall director returns to familiar ground, albeit with more mixed results
Shooting for Socrates
We may not be Brazil, but with its see-through 'period setting' and wafer-thin plot James Erskine's chronicle of Northern Ireland's 1986 World Cup fails to even suspend disbelief
Timbuktu
As far removed from the mainstream as its setting, Abderrahmane Sissako’s unflinching picture is rich in its portrayal of totalitarian rule in Africa but not without its glimmers of hope
I Am Here
David Holmes' directorial debut is a personal, poetic film born of bereavement following the death of his brother – watch the full film now
Rosewater
Satirist Jon Stewart's directorial debut tells the remarkable story of one journalist's interrogation at the hands of the Iranian government after appearing on The Daily Show
The Survivalist
Stephen Fingleton’s tense, hypnotic and masterful debut, shot in and around Ballymoney, is a mesmerising dystopian tale
Cobain: Montage of Heck
Brett Morgen's artful documentary uses home movie footage and Kurt Cobain's extensive journals to reveal the man behind the music
Robot Overlords
Carrickfergus and Donaghadee provide the backdrop for this bland sci-fi that could yet find an audience as an inadvertent cult comedy
Cinderella
Director Kenneth Branagh's straight adaptation of the familiar fairy tale is a witty visual spectacle that will charm well beyond the stroke of midnight
Run All Night
Liam Neeson's latest action flick is an unexpectedly engaging take on the Irish-American mafia narrative in which he cements his position as this generation's Charles Bronson
Boogaloo and Graham
Michael Lennox's BAFTA-winning, Oscar-nominated short took on the world and won the hearts and minds of millions – read our review ahead of two screenings at Queen's Film Theatre
Still Alice
When her mother was diagnosed with vascular dementia and Parkinson's disease, our critic's life was turned upside down – she reviews the low-budget, Oscar-winning film that reflects her real world experience
It Follows
Fright fans, remember the name – David Robert Mitchell channels his inner John Carpenter in a gripping feature stalked by an unseen, unknown spectre
Birdman
Alejandro Gonzalez Inarritu's satire on life for the 21st century artist is a complex, concentrated work that just might earn Michael Keaton a first Academy Award for Best Actor
Selma
Northern Ireland's own Bloody Sunday is foreshadowed in Ava DuVernay’s civil rights drama featuring an Oscar-worthy central performance by British actor David Oyelowo as Martin Luther King, Jr
Inherent Vice
Queen's Film Theatre screen Paul Thomas Anderson's trippy noir starring Joaquin Phoenix
A Most Violent Year
Passed up in every major category at the Academy Awards, JC Chandor's period drama is a powerful, complex picture
Whiplash
JK Simmons is the drum tutor from Hell in Damien Chazelle's scorching jazz opus
Taken 3
Liam Neeson runs out of steam in Olivier Megaton's excruciating pay off to a high-earning trilogy
Testament of Youth
Vera Brittain's war memoir makes for an intense cinematic experience
The Theory of Everything
Eddie Redmayne becomes scientist Stephen Hawking in revealing biopic
The Hobbit
Peter Jackson's unrecognisable The Battle of the Five Armies is a triumph of style over substance
Xmas Movies
Ralph McLean reviews his top ten festive favourites to make the season of goodwill go a little bit faster
Black Sea
Michael Smiley joins an ensemble crew searching for Nazi gold in Kevin MacDonald's tense thriller
St. Vincent
Bill Murray is an unlikely babysitter in Theodore Melfi's quirky comedy also starring Chris O'Dowd
The Drop
James Gandolfini's final film is a gripping ensemble adaptation of the gritty Dennis Lehane novel
The Imitation Game
Benedict Cumberbatch is extraordinary in Morten Tyldum's flawed biopic of Enigma breaker Alan Turing
I Am Ali
Claire Lewins uses exclusive audio journals to tell at least part of the legendary boxer's life story
The Fall
With episode two of series two set to air tonight, we look back at the slow-burning opener
Third Person
Liam Neeson is an author struggling with a failing narrative in Paul Haggis' similarly unsuccessful ensemble piece
Serena
Jennifer Lawrence and Bradley Cooper make it three for three in Susanne Bier's long-in-the-making English language debut
'71
Jack O'Connell excels in this taut Troubles-era thriller by director Yann Demange and writer Gregory Burke
Dracula Untold
Northern Ireland provides a dramatic backdrop to Gary Shore's largely superficial blockbuster
A Most Wanted Man
Philip Seymour Hoffman is every inch the jaded spook in his final film directed by Anton Corbijn
A Walk Among the Tombstones
Liam Neeson stars in this stylish, lean adaptation of the Lawrence Block novel
In Order of Disappearance
Hans Petter Moland channels the Coens in this comic revenge thriller shot on the Norwegian tundra
The Hundred-Foot Journey
Lasse Hallström's adaptation is aesthetically pleasing but stuffed full of unpalatable clichés
Second Chance Cinema
Cinephile cooperative screen three Northern Irish films for free at the South Bank Playhouse
Two Days, One Night
Marion Cotillard gives an unmissable performance in the Dardennes brothers' portrait of life on the edge
Jeremy Thomas
The heavyweight British film producer discusses a career behind the camera at Queen's Film Theatre
The Congress
Actress Robin Wright sells a version of herself in Ari Folman's dystopian allegory on paternalist Hollywood
Lilting
Ben Whishaw stars in Hong Khaou's touching English language debut about sexuality and acceptance
Joe
Nicholas Cage finds critical salvation in David Gordon Green's latest feature set in the rusted, dilapidated South
Mood Indigo
Michel Gondry's whimsical adaptation of the Boris Vian novel is a cocked-eyebrow of a film that never lets up
Grand Central
France is smitten with nuclear energy, but not the workers, in this adaptation of Elisabeth Filhol's satirical novel
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