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Derry singer-songwriter Conor McAteer takes a giant leap forward in a controlled and cohesive fourth album bursting with love in all its forms
When her mother was diagnosed with vascular dementia and Parkinson's disease, our critic's life was turned upside down – she reviews the low-budget, Oscar-winning film that reflects her real world experience
Review of Zak Whitefields third EP, the tellingly titled 'To Anywhere...'
Malojian provides the sunshine, John Grant the expletives, as CQAF celebrates the songwriter
Rosie Johnston's story of Orion the hunter is 'an epic poem in the classical tradition', writes Louise Richardson
Rainbow Factory's contemporary adaptation of Julius Caesar has a lean and hungry look, Lisa Nelson approves
Penny Dreadful, but not THE Penny Dreadfuls. Confused? Peter E Davidson was.
Michael Longley expertly explores the passing of a generation in his latest collection, writes Ross Moore
A showcase from the next generation of Irish directors at the Foyle Film Festival impresses Michael Harrison
The 21st century noir shocker opens the Foyle Film Festival in style, writes Michael Harrison
Ross Moore asks, 'What's in a name?'
Challenging our attitudes towards race and immigration
Just another dance show? Mark Ward thought so, but he couldn't have been more wrong
'A gorgeously understated' new collection from Seamus Heaney, writes Ross Moore
Bronagh Gallagher does a Q&A at QFT after this tale of middle class whimsy, writes Andrew Johnston
Darach MacDonald enjoys digressions in the road as well as on the page
Sincere insincerity and statistics that lie capture the teenage experience. We review the show in Dublin before its run at the Belfast Festival at Queen's
The bookies' favourite for the Man Booker Prize renews Peter Geoghegan's faith in the English novel
The folk hero thrills the crowds at the Fiddlers Green Festival, writes Damian Murray
Gets your jive on with Alabama's rockabilly greaser, writes Michael Wilson Pages