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Ben Maier invites the audience to play forests, flowers and fanciful girls as the Literary Lunchtimes series continues
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Recorded live in 2012, this screening of the Bolshoi Ballet's latest production features an interview with artistic director Sergei Filin
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GBL Productions' adaptation of Leesa Harker’s mommy-porn pastiche is an x-rated antidote to good taste
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Former tabloid hack Rich Peppiatt lampoons the industry he was once a part of and ingeniously confronts its worst offenders
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The Irish comedian whittles out the jokes in his father's demise, and entrances the Black Box with his 'energic and involving style'
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Much oil has flowed under the bridge, and into the hands of Western businessmen, since Rob Newman filled Wembley Stadium with David Baddiel
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An experimental adaptation of Oscar Wilde's Gothic masterpiece is undermined by a spinning disco ball
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Writers Dan Gordon, Gary Mitchell and Colin Murphy raise a fleg for tasteless topical satire with the Lyric Theatre's end of year review show
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A rumination on love, life and Long Kesh – Donna O'Connor shows how the Troubles affected Belfast's women
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'Overly garrish, flapping, whimsical and foolish' – Ivan Little leaves his broadcasting days behind him to play the dame at the Waterfront Hall
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Owen McCafferty's new play, premiered in the Abbey Theatre, Dublin, explores 'the hurt, the carnage and the consequences' of the Troubles
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The true story of a workers' revolt in Belfast, written by first-time playwright John Maguire, is ferociously authentic
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Real stories told and acted by the men who experienced them 'illuminate the fragile nature of Northern Ireland's tentative peace'
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Cat Deeley, red wine and the Pavarotti Provo – Northern Ireland's finest returns to the Empire Comedy Club 20 years later
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Belarus Free Theatre shed light on the suppression of human rights in Europe's last dictatorship
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How does the 'reliably sophisticated font of witticisms' as featured on 8 Out of 10 Cats transfer to the stage?
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Dermot Bolger's adaptation of James Joyce's famous novel is 'a tribute to Joyce's own curious imagination'
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Admirable acting and direction cannot save a weak script, as Big Telly fall victim to cliché and hungry hens
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The Northern Irish accent lends itself well to Shakespeare's most visceral tragedy, and Stuart Graham excels as the murderous king
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The heavenly hordes are 'anti-abortion, anti-evolution homophobes' in Accidental Theatre Company's latest outing
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