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Former champion boxer John Duddy stars in Laoisa Sexton's unflinchingly honest portrayal of life in secular Ireland
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Northern Ballet's timely adaption of F Scott Fitzgerald's classic novel ultimately lacks emotional punch
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Simon Callow tears his way through an 'astonishing' cast of historical figures in Matthew Hurt's take on the Gospel of Mark
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Prime Cut Production's latest interactive, sit-specific work only lacks a little darkness
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Fickle Favours' inaugural production gives new voice to the Bard's heroines
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A Falls Road confectionary doubles up as a drinking den in Joe and Gerard Brennan's tale of love, life and lager
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'To remember everything is a form of madness.' Ireland is transformed in Brian Friel's play about the infinite evolution of language
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Dance Focus conference showcases eclectic artists from across Europe
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Hofesh Shechter's inclusive production gives Derry~Londonderry something to be truly proud of
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The Devil arrives in a Dublin drinking hole in Conor McPherson's play about men, alcohol and the redemptive power of friendship
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c21 Theatre Company condense Shakespeare's classic tragedy to create 'a serious, articulate' version for young audiences
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Rosemary Jenkinson takes a satirical swipe at big business and avaricious community leaders in 21st century Northern Ireland
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New York's finest all male comedy ballet company show their class with various treatments of the Russian classics
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David Croft and Jeremy Lloyd's wartime farce 'verges on the anarchic', but provides Showcase Productions NI the opportunity to blood new talent
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Ken McCormack's 'limited profile' of Frederick Hervey revels in the former Bishop of Derry's lascivious nature
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A 1920s era musical version of Shakespeare's farce is expertly updated and directed by Michael Poynor
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Brian Friel's 2003 play about Czech composer Leos Janacek and his final work is 'a thoughtful study of art and the artist'
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There's dancing in the aisles at the Millennium Forum as Andrew Lloyd Webber's monster musical rolls into town
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Contemporary adjustments detract from an otherwise superbly acted and directed revival at the Lyric Theatre
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A shining illustration of three great dance styles – romantic, classical and vernacular – streamed from the Bolshoi Theatre in Moscow
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Ben Maier invites the audience to play forests, flowers and fanciful girls as the Literary Lunchtimes series continues
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Recorded live in 2012, this screening of the Bolshoi Ballet's latest production features an interview with artistic director Sergei Filin
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GBL Productions' adaptation of Leesa Harker’s mommy-porn pastiche is an x-rated antidote to good taste
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Former tabloid hack Rich Peppiatt lampoons the industry he was once a part of and ingeniously confronts its worst offenders
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The Irish comedian whittles out the jokes in his father's demise, and entrances the Black Box with his 'energic and involving style'
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Much oil has flowed under the bridge, and into the hands of Western businessmen, since Rob Newman filled Wembley Stadium with David Baddiel
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An experimental adaptation of Oscar Wilde's Gothic masterpiece is undermined by a spinning disco ball
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Writers Dan Gordon, Gary Mitchell and Colin Murphy raise a fleg for tasteless topical satire with the Lyric Theatre's end of year review show
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A rumination on love, life and Long Kesh – Donna O'Connor shows how the Troubles affected Belfast's women
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'Overly garrish, flapping, whimsical and foolish' – Ivan Little leaves his broadcasting days behind him to play the dame at the Waterfront Hall
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Owen McCafferty's new play, premiered in the Abbey Theatre, Dublin, explores 'the hurt, the carnage and the consequences' of the Troubles
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The true story of a workers' revolt in Belfast, written by first-time playwright John Maguire, is ferociously authentic
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Real stories told and acted by the men who experienced them 'illuminate the fragile nature of Northern Ireland's tentative peace'
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Cat Deeley, red wine and the Pavarotti Provo – Northern Ireland's finest returns to the Empire Comedy Club 20 years later
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Belarus Free Theatre shed light on the suppression of human rights in Europe's last dictatorship
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How does the 'reliably sophisticated font of witticisms' as featured on 8 Out of 10 Cats transfer to the stage?
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Dermot Bolger's adaptation of James Joyce's famous novel is 'a tribute to Joyce's own curious imagination'
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Admirable acting and direction cannot save a weak script, as Big Telly fall victim to cliché and hungry hens
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The Northern Irish accent lends itself well to Shakespeare's most visceral tragedy, and Stuart Graham excels as the murderous king
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The heavenly hordes are 'anti-abortion, anti-evolution homophobes' in Accidental Theatre Company's latest outing
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