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  • MAC International

    Joanne Savage appreciates flashes of brilliance at The MAC but hopes for greater thrills in future

  • Crossing the Water

    Jeffrey Morgan exhibits 40 years' worth of canvases capturing his wife, author Patricia Craig, in thought

  • Where Are They Now?

    Bill Kirk traces the trajectory of Belfast residents originally photographed in the 1970s and 80s

  • Palimpsest

    An inventive contemporary musing on the fraught nexus between past and present at the Golden Thread Gallery

  • Kin

    Richard Gorman's meaningless abstract paintings with a Japanese bent leave Joanne Savage flabbergasted

  • Idir Dhá Aigne

    Michael Doherty and John Stewart present two very different visions of Belfast at An Culturlann

  • Abstract Armature

    Simon McWilliams focuses on Belfast's architectural rebirth in his first show in the city for two decades

  • Kara Walker

    Californian multi-disciplinary artist confronts American slave history with this endlessly inventive exhibition at The MAC

  • In Darkness and Secure Baroque Exhibition

    Artist Andrew Haslett explains the Baroque influences behind his new exhibition of paintings in Cregagh Library

  • Between Two Worlds

    This exhibition of abstract expressionist paintings at the FE McWilliam Gallery is 'uplifting to behold'

  • The Air They Capture is Different

    Sculptural exhibition in The MAC is 'subtle to the point of obfuscation', but Lothar Götz's mural saves the day

  • Reflections on Costume

    Joanne Savage considers how 'body fascism keeps women worrying' after a visit to the Ulster Museum

  • Ten Drawings by Leonardo da Vinci

    'A brief but completely enthralling glimpse into the workings of the effervescent mind of a true genius'

  • Fiona Henry Paints The Mournes and More

    County Down artist finds inspiration in nature – and paints an unlikely portrait

  • Hannah Starkey

    An exhibition of photographs that capture the heart and show the city in a hopeful light

  • Into the Black

    Neil Shawcross and Charles Walsh paint it black at the Ormeau Baths Gallery

  • Disconnected Everyday Tension

    The poses and Sartean emptiness appeal to Joanne Savage, but she still isn't sure what to make of the woodlice

  • Why The Arts Matter: Haiti Lives

    A photographic exhibition in Belfast's Waterfront Hall, organised by Oxfam, aims to raise awareness and aid the recovery in Haiti

  • Ulster's Underground Caravaggio

    Artist Andrew Haslett revisits Renaissance techniques in his religious paintings. He tells Joanne Savage about being inspired by the bible and the baroque

  • In View

    Joanne Savage finds narrow ideals of beauty under clever scrutiny at the Golden Thread Gallery

  • Why The Arts Matter: Art As Therapy

    Joanne Savage found solace in creativity during a troubled childhood

  • Shadow Play

    An accomplished exploration of the 'actual and the apparent' at Belfast Exposed, writes Joanne Savage

  • Colin Middleton

    On the 100th anniversary of his birth, a new exhibition explores the artist's inventive approach to place and landscape

  • Art Beyond Ulster

    A wide range of Ulster artwork produced in Rome

  • Jewesbury & O'Beirn

    Joanne Savage is less than impressed on a stroll through Belfast Exposed

  • Bernie Brown

    Photographer Bernie Brown talks to Joanne Savage about capturing the landscape and mood of Strangford Lough with her wily lens

  • Ancient Values

    Joanne Savage enjoys a Renaissance of fine art at Gormley's
  • Rita Duffy

    Rita Duffy

    'Damien Hirst is a complete charlatan.' Belfast's busiest artist on makes good art, cultural courage and why it is more important to journey than arrive